The video though for Stay Up Late is as equally entertaining and unique even though it comes off the far less interesting album. Being that the song is an obvious narrative about a family and its newborn baby it would've been the easy choice to frame the video as a sugary comedy. Instead Byrne chooses to depict him and his bandmates suspended in harnesses being pulleyed up and down; sometimes in slow-motion and sometimes in a squishy lens.
What struck me as truly interesting about watching this video 25 years after its release is how dated it doesn't feel. Whereas the Once in a Lifetime video is still absolutely wonderful, Byrne's dabbling in visual art throughout screams "Woah, 30 years ago!" but the Stay Up Late video still holds a unique power. Making a three-minute and forty-four-second non-sequitur that defiantly has no actual relation to the song or any real story to tell makes it inherently interesting and stand-out amongst all the INXS and Paula Abdul (okay maybe not that one where she dances with the animated cat) videos of the time. Byrne was able to pull off a tone-poem of a music video, kudos. And interestingly enough his videos contained far more visual prowess that his actual attempt at feature films; the oddly static 1986 motion picture True Stories.
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